In Downtown New York, an Iftar Dinner That Celebrates—And Reimagines—Muslim Tradition (2024)

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On the 18th night of Ramadan, I gathered a group of New Yorkers to break fast together in a Chinatown loft. They were Muslim (some practicing, some not), Jewish, Hindu, Christian, converts; Black, white, brown; immigrant, queer. Most had never attended an Iftar. All of the guests were friends or colleagues—journalists and storytellers, artists and makers.

Arsh Raziuddin speaking to the room full of guests at Lee’s on Canal in New York City.

Photo: Christian Rodriguez

Journalists and creatives Lauren Williams, Bim Adewunmi, Diana Elbasha, Hannah Giorgis, and LinYee Yuan enjoy their iftar.

Photo: Christian Rodriguez

We started the meal with the call to prayer, played on Spotify, because none of us knew how to perform the adhan. The sound of recitation still puts me at ease. Only a handful of us were fasting, but we passed out dates to each guest anyway, juicy mejdools from Balady Foods in Bay Ridge. I clinked my glass and said salam. The smell of freshly chopped cilantro wafted through the room, and the sound of sizzling oil reminded us that hot food was on its way. Our chefs introduced themselves and explained the meaning of iftar, relaying the extraordinary tales of the Prophet Muhammed (peace be upon him) and his love of dates.

Photo: Christian Rodriguez

This iftar felt different from those in my past. My old life—as part of a tight-knit, culturally conservative community in Washington, D.C.—felt like a monolith, one in which I was surrounded by Muslims who looked and practiced the same. I was unknowingly uncomfortable, coming of age with my then-husband, conforming to a type of Islam I didn’t believe in. At least, not in the same way that the people around me did. The word ‘Muslim’ translates directly to submission. A Muslim is someone who submits to Islam. But what if I only submit sometimes? Aren’t we still Muslims, even if we’re considered bad Muslims?

Arsh Raziuddin, Kamal Kamal, and Noreen Wasti introducing the meal.

Photo: Christian Rodriguez

We started with lighter bites; papri chaat and samboosas, mocktails made up of Aplos and Ghia. No one was drinking alcohol, at least for tonight. Chefs Kamal Kamal and Noreen Wasti explained the entrees, typical of their individual upbringings. Kamal, a Palestinian art director and chef, cooked kibbeh with tahini, vermicelli rice, and potato. Noreen Wasti, a chef and creative of Pakistani descent, created a recipe that reflected her life here in Brooklyn after a decade in Dubai—a dish somewhere between borani and baingan. Her papri chaat paid homage to her background too—the full, overloaded plate resembled the way her late father had prepared it. The smell of Noreen and Kamal’s food felt comforting. I hadn’t traveled home to Maryland for Ramadan this year and I’d missed my mom’s pakoras and channa chaat. I imagined having chai with the friends’ faces that filled my family home for three decades.

Fresh herbs to top the papri chaat.

Photo: Christian Rodriguez

Photo: Christian Rodriguez

Laura Ferrara and Woldy Reyes sip on Aplos while listening to a speech.

Photo: Christian Rodriguez

Pam Nasr and Ms. Z.

Photo: Christian Rodriguez

After dinner, I read excerpts from Kaveh Akbar’s “On Fasting,” from a 2019 issue of The Paris Review. It’s a beautiful ode to his relationship with Ramadan, a profound meditation on being lucky to break fast in the first place. Felukah, an Egyptian singer, performed two songs with her partner—her “Revolution Song” on her hopes for a free Palestine and another love letter to her hometown of Cairo. Noreen and Kamal came back with desserts. Noreen explained her take on kheer, a traditional South Asian rice pudding—like many of the centuries-old recipes that Noreen has learned to make, this one reflected her own modern tweaks, a reminder that traditions can live on in new ways. The dish was fragrant and warm, topped with pistachio brittle and rhubarb, and of course, her trademark: flowers. Kamal made basboosa, a syrupy semolina cake, the Palestinian dessert that reminds him of the sweetness of home.

Arsh Raziuddin in raw mango.

Photo: Christian Rodriguez

Flowers by Soursop Flower Farm.

Photo: Christian Rodriguez

Noreen Wasti’s kheer.

Photo: Christian Rodriguez

Kamal Kamal preparing basboosa.

Photo: Christian Rodriguez

Noreen Wasti prepared saffron sugar sticks to serve with tea.

Photo: Christian Rodriguez

That night, as I took in the ease of the room, I was struck by a hopeful feeling: I feel closest to myself when I’m surrounded by these Muslims. The misfits of the Ummah, the Muslims of the masses. It is far too easy to feel ashamed of being a Muslim in America and to assimilate to Western customs. It's equally easy to feel shameful about claiming Islam without adhering to the “rules.” But as I’ve redesigned my life to reflect my values, I realize that the truest Islamic traditions I’ve inherited through my parents’ guidance aren’t those focused on fearing God, or living in constant anticipation of the afterlife. What feels most salient to me is the clear focus on intention and goodness. Whether I’m talking with the team behind Acacia, a new literary magazine of the Muslim left, or with friends gathered around a dinner table, I’m proud that my generation is paving the way for secular Muslims on our own terms: free of judgment and rooted in acceptance, in a legacy that began way before us.

Felukah performing “Revolution Song.”

Photo: Christian Rodriguez

Acacia Magazine gifted alongside soaps from the Palestinian Soap Cooperative.

Photo: Christian Rodriguez

Aliza Abarbanel, Umaimah Sharwani, Tara Thomas, Woldy Reyes, Jasmine Pierce, and Mehreen Karim.

Photo: Christian Rodriguez

Writer Rozina Ali and Hira Ahmed, editor-in-chief of Acacia Magazine, along with Sarah Leonard, editor-in-chief of Lux Magazine.

Photo: Christian Rodriguez

Through iftar dinners, donations, fundraising, community, and gathering, I’ve seen the generosity and love of Muslims have no limit. The iftar last week wasn’t just about the food on our plates or the warmth shared between those of us in the room. We’d gathered for another reason, too: Together, we raised money for a Muslim women’s shelter in New York. A Gazan woman recently arrived, eight months pregnant, after relentless bombing by the Israeli military.

Pillars Fund, a leading nonprofit that amplifies the narratives, talents, and leadership of Muslims, co-hosted this iftar. Kashif Shaikh, the cofounder and president, shared a few words about why hosting iftars with Muslims and non-Muslims has been “an important organizing endeavor in helping build solidarity and community—particularly during a difficult time for our Muslim siblings in Palestine and Sudan.”

Kashif Shaikh of Pillars Fund.

Photo: Christian Rodriguez

Hosts Kamal Kamal, Noreen Wasti, and Arsh Raziuddin.

Photo: Christian Rodriguez

Now, with just days before Ramadan ends with Eid-al-Fitr, that’s the idea I want us all—Muslim and non-Muslim alike—to hold onto. In the face of brutal Islamophobia that recalls the post-9/11 climate, and the constant specter of death in the places we hold dear, Muslims have always found meaning—and life-affirming support—among community.

In Downtown New York, an Iftar Dinner That Celebrates—And Reimagines—Muslim Tradition (2024)

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